Join the UBC Symphony Orchestra led by director Jonathan Girard for its opening night! PROGRAM: Jean Coulthard (1908-2000) Introduction and Three Folk Songs (from Canadian Mosaic) Gabriel Fauré (1845-1924) Suite from “Pelléas et Mélisande” Interval Andrew Balfour (b.1967) Pyotr’s Dream Georges Bizet (1838-1875) L’Arlésienne – Suite No. 2
One Two, Trio is comprised of three proponents of brass instruments and chamber music; Katherine Evans (Trumpet), Valerie Whitney (French Horn), and Jeremy Berkman (Trombone). Founded initially during the pandemic to perform music outside for listeners safely distant, the group has recorded performances for the Chamber Music in the Schools program (CMITS), and most recently […]
This Opera Tea offers a sneak peek of our upcoming production of The Cunning Little Vixen, as well as arias from some of our students preparing for competitions! Enjoy this concert in a casual setting at our beautiful Old Auditorium theatre.
McKenzie Warriner is a Saskatchewan-born and raised/Toronto-based soprano acclaimed for her interpretation of music spanning from the Baroque to the Avant-garde. Particularly committed to singing the works of living composers, McKenzie performed at the 2023 Aldeburgh Festival as a Britten Pears Young Artist, premiering works by Marcus Rock and Beatrice Ferreira. Other recent credits include […]
Leoš Janáček’s bittersweet fable shows a deep understanding of the complexities of power and oppression, and the cyclical nature of life. Usually seen as a fairy tale, this opera offers revealing insight into nature’s struggle to survive the devastating footprint of humanity. With a colourful and majestic score influenced by Moravian folk songs, this opera […]
This program involves three interrelated commissions by Christopher Cerrone, Anthony Cheung, and Andrea Casarrubios, around which I’ve developed a “quasi una fantasia” program theme, featuring almost-improvised works connected and interspersed with actually-improvised preludes and transitions. Other music includes Schumann, Saariaho, Ligeti, Couperin, Brahms, Beethoven and more. There are a number new commissions by underrepresented composers, and […]
The UBC Early Music Ensemble is a mixed instrumental/vocal ensemble specializing in the performance of music from the Medieval, Renaissance, and Baroque eras. Image: A Musical Company, Gerard van Kuijl, ca. 1651
The UBC Early Music Ensemble is a mixed instrumental/vocal ensemble specializing in the performance of music from the Medieval, Renaissance, and Baroque eras. Image: Lady Playing a Lute; Bartolomeo Veneto and workshop (Italian, died 1531, active 1502 – 1531); about 1530; Oil on panel; 55.9 × 41.3 cm (22 × 16 1/4 in.); 78.PB.221
Director: Dr. Paolo Bortolussi The Contemporary Players Ensemble is a dynamic and eclectic program of music featuring world-renown contemporary masterworks, as well as newly commissioned works by UBC composers.
Paolo Bortolussi, director The UBC Contemporary Players present a program of collaborative works created in response the Belkin Gallery’s current exhibition, of artist Carole Itter’s works: “Only when I’m Hauling Water do I wonder if I’m getting any Stronger” The concert features music by UBC Professor of Composition Dorothy Chang and UBC Professor of Ethnomusicology Michael Tenzer. Admission is free and open […]
where code and music meet UBC Music students perform electroacoustic music using computer instruments and audio/video processes. Students control these instruments and processes through gesture tracking of traditional instruments, dance, piano or string performance, or by using webcams, Kinects, Wiis, accelerometers, game controls, custom circuits, Arduinos, iPhones, iPads, or other tablets. Student presentations are for […]
Rescheduled from Jan 17. J.S. Bach’s monumental Orgelbüchlein (BWV 599−644) is a collection of 46 Lutheran chorale preludes for organ, spanning the entire traditional liturgical year. As Bach composed these various chorale preludes mainly throughout his Weimar appointment from 1708-1717, the Orgelbüchlein is a showcase of his development as a composer through this early period […]
